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That BL^/Re doe

2000 Suburban 6 runs of 2/0

12 timpano audio mids,6 timpana audio tweets and 1 timpano compression horn per door 

8 banks of blue Maxwells + 260ah of Yin Long LTOs 

2 370 Amp Autotech Alts 

mids amps 2  Crescendo Skyway 3ks 

Tweet amp Crossfire 2000.4

sub amp: 4 Crossfire XT 8ks

Subs: 8 18 in Crossfires in a 4th order


Best Scores at events…

161.6@38hz DBdrag  sealed on the dash… 162.54 outlaw…161.14 Meca headrest 

 

 

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nvm

Edited by Krakin
b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

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Strap the monos

No real reason to do that, they do master/slave without strapping.

That being said a lot of people's definition of "music" is a clipped 30 hz sine wave with some 80 IQ knuckle head grunting about committing crimes and his genitals.

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