thehoe92

I've heard Ray talkin about the JVC headunits. they basically the fastest ipod wise. you want another flip out or double din?

x2

you should put up some pictures of the covered wall to take away all the questioning on SOTM

blue wall? did you cover it? it doesn't look like just wood anymore

who needs a visual equalizer when you have the brake pedal?

just help ya out smokey

as much as I would love to see that where would it go?haha he uses his roof for videos now so thats a no go I know the t2500's do close to 3,000 watts at 1 ohm strapped 6,000 MLA at 15.3 makes each amp around 3,386 strapped close to 7,000 x 4 = 28,000 plus mids and highs and he has got well over 30,000 with what I assume he is going to run http://www.stevemeadedesigns.com/board/public/style_emoticons/default/dirol.gif

hmmm lets see what I can dig up. all were taken with either the Nikon D40 or my Canon HV10

I'm not following you on that one.don't forget about the roll pan. if he did a battery rack it would kind of be taking away from the purpose of a clean look with a bulge.

with a six inch drop in the back and the size of the d3400's I doubt thats happening.would be tight though

yesss :yahoo: after the slow and steady halt on the caddy I was gettin disappointed... nothing to look forward too. now the tahoe rebuild!!!! I bet you got a shit load of ideas floatin around in your head. get those gears moving. oh and kasey he doesn't need your help getting the box out... he's got a magic wand can't wait Steve

damn get silly was movin everything! that song gets lowwww

so anthony has the civic... kaleb getting the tahoe looking good Steve, you ever thought about getting a sleeve?

damn very responsive box! well done

haha I was thinking of a situation every time he said a rule. good find definitely sticky!

be glad that rusty has excellent customer service.

digital designs FTW! hit up there website they got tons of information on how to build boxes and lots of speaker terms and definitions explained.

you can't embed anything but youtube

A speaker's total power rating should not be confused with the power required to drive the speaker. The output of a speaker is based on the sensitivity rating. Power from the amp goes into the speaker one watt at a time. This is the same for all amps and speakers. The SPL of a speaker starts at its sensitivity rating i.e., say 94 decibels at 1 watt of input power. When power is doubled, SPL goes up a theoretical 3 decibels, so 2 watts = 97dB, 4watts =100dB, etc, till roughly 1000 watts yields about a 30dB increase in SPL. The driver with a sensitivity of 94dB will yield about 124dB of output at 1000 watts. This is in an open environment and excludes boundary, box and transfer function gains inherent in vehicle interiors. Digital Designs speakers are designed for both high sensitivity and high power handling. The higher the sensitivity rating, the higher the amp/speaker combo could SPL. If a 300-watt amp is used, the speaker with a higher sensitivity will potentially yield the highest output regardless of its total power capability. There are many other factors that govern output capability, but total power handling is not a significant one and should not be the main criteria in the selection process.

every sub is built different and uses different parts. the infinity could have a higher sensitivity but the DC has a better motor. those numbers will mean nothing though if you don't put it in the correctly sized box

well there will be a qualifying run where you try to get, in your case, 39.9 by the end of 30 seconds. since its qualifying you can go over or under and mess around but by 15 seconds you should be within 2 db of your final score. if it is a big event and there are more than 8 people competing in one class and you have the lowest score of that class then you cannot compete so make sure you get as close to 39.9 as possible. also gives you a feel of what it will sound like and how to achieve that score without going over. once your start brackets you will be going against someone. if you are way under and you can't get up or something realllly bad happens I'm sure the judge will give you another run as long as the other person is ok with it. by the time you reach 5 seconds be no more than .3db away to be safe.

cue up the song you want to play right before the bass hits. pause it and watch the leaderboard for go then play. be very light on your bass adjustment it doesn't take much to get .1db if you are doing 29.9's class. 39.9 you need to get a little better of a start to get up quick enough so you aren't rushing yourself. 49.9 is critical to get a good start.

just because your box is tuned to those frequencies does not mean that will be the loudest note. my box is tuned to around 31hz but due to cabin rise my loudest note is around 40-41hz. what you should really do is when you go to the show ask to play some sweeps and find what your loudest note is. from there choose your song.

anything with steady bass that has your peak note throughout the song.