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Posted

So I get that you have your sealed, ported, and all those assorted kinds of bandpass boxes.....but what is the real difference in them? I understand sealed is better for sq and a ported is better for spl (anything really cause u can tune it to whateverthefuck you want) and idk how a bandpass compares to either of those. Can anyone tell me what the different is between these and what's best for staying loud throughout the sound spectrum? Sorryyyy....feeling like a super noob for this question, but this has always confused meee.

What the f**k is an appropriate signature supposed to look like?

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Posted

I might be wrong, but this is how I understand it

Sealed is usually for applications that don't have space for a ported box

Ported will be louder than a sealed box, keeping similar sound quality

4th order will get slightly louder and lower than ported, but at the sacrafice of some sound quality (but this can be designed around) and is slightly larger than a typical ported box

6th order will usually be the loudest, but has the least sound quality. It is also the biggest of the bunch

Posted

T-lines are good for sound quality but they take up tons of space

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Posted

Thank y'all, but what's the difference between sq and spl?

What the f**k is an appropriate signature supposed to look like?

2013 Kia Forte Koup

Pioneer AVH-X4600BT

iDMax 12

DD M1c @ 2 ohms

Rockford Prime 200.2

Pioneer 6.75" Comp Set

XS S3400, D2700

Project DB Battery Terminals

Axxess ASWC

Stinger HPM Everywhereeee

90 Sq. Ft. of Stinger Roadkill

Stock Alt

Stuff To Come

Sundown X-12

New Amp

New Comps

4 Channel Amp

My Current Build: http://www.stevemeadedesigns.com/board/topic/167462-13-kia-forte-koup-dd-setup/

My Old Build: http://www.stevemead..._+2000 +mustang

Avatar Courtesy of SnowDrifter

Posted

Thank y'all, but what's the difference between sq and spl?

sq is sound quality: designed to have a tight, flat response with minimal distortion

Spl is sound pressure level - aka loudness. That is about efficiency and power handling to get as loud as possible, accepting that there can be some distortion in the bass

Posted

As your box gets more complicated you can get more complicated results.

Simply put, if you want bass put it in a box and boom away.

If you want more bass, and have learned enough you can make a ported box that tailors the woofers output to your desired taste. (using variables such as woofer, box volume, tuning freq, and port size)

If you build bass ass ported boxes and you are getting beat by equally badass ported boxes you can go bandpass which gives you even more variables for a desired outcome that has the greater potential to be louder, as well as having an equally high chance of failing epicly.

using parallel or series tuned 4th, 6th, and 8th order bandpasses you can be extremely precise with the output whether it be flat or a one note spike. For the majority of people out there a sealed box is perfectly fine. For some, like the members on this forum, ported boxes add that bit of edge and satisfies the boom itch. For a few the pored boxes get old and boring and they venture into ABC boxes, Tlines, and Bandpass boxes. Can they be better? yes. Can they end up worse? yes. Are they worth the time and effort? Depends on how much time and effort you have and if you are a bass crackhead or not.

/ rant

-Drew

detail.gifI am a United States Military Arts and Crafts Professional. Sand it off, Paint it on. detail.gif

uhoh_45 said:
dont be a pussy P give the jeep to drew

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