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port area comparison....


Cj Kumz

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Posted

Hey guys. Quick question. Okey we all know that a slotted port needs 12-16sq inches/cube and 8-12sq inches/cube for aero ports right. Now my question is what are the advantages and disadvantages of using the upper limit vs the lower limit??

Vw Polo

Pioneer Deh-6050UB

Sundown Saz-3500d

DD Audio 9500 15''

5.5 cubic feet box with 10 inch port @ 38hz

I live to hear the Bass drop!!!

Posted

None of that is true for port area per foot, you need X amount of port area for your driver no matter how much airspace it has.

There are some formulas that can get you close to what you need, but only testing different boxes will get it perfect.

Here are some to check out.

http://www.carstereo.com/help/Articles.cfm?id=21

http://www.diysubwoofers.org/misc/portcal.htm

For your question if you don't have enough port area you will experience port noise, less power handling, harmonic distortion, and other negative affects towards your experience.

b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

Posted

Okey I get. Ama look at those links thanks.. So from your experience is more port area better as long as you stay in the range??

Vw Polo

Pioneer Deh-6050UB

Sundown Saz-3500d

DD Audio 9500 15''

5.5 cubic feet box with 10 inch port @ 38hz

I live to hear the Bass drop!!!

Posted

The range you stated in the first post doesn't matter.

Every driver needs a different amount of port area than another, and a generalization doesn't cut it.

b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

Posted

I +1 what Krakin says. The general 12-16 rule is a decent start for beginners.... But X amount of port for this certain woofer is the method I like best.

My wall had optimum port for the woofers and it only came out to 10 sqin per cube.

To answer your question, though, typically the more port a woofer has, the peakier it may be, but louder; the smaller the port, less of a peak, more of a flatter response and more extended response, but less output.

Very general statement though, take it with a grain of salt.

1996 GMC Sonoma
Four Fi BTL Neo 18's In 2:1 6th Order Bandpass
2 Ampere 5k's @ .5

TEAM FI
TEAM #LITHIUMCANTDEMO

 

On 10/20/2013 at 0:37 AM, KillaCam said:

Fucking with a Prius driver is like making fun of a disabled kid. Pussies.

Posted

So let me throw a monkey wrench into some of this. Because I am doing a blowthrough I am limited on space. Based on the amount of Xmax and other T/S numbers I cant do the so called perfect amount of port. So I have to use the 12-16sqin per cube rule. And there are lots of formula's, but we aren't building boxes for a square living room. Sometimes building several test boxes is your best option.

Posted

If you get an extended bass shelf with lower port area it will be very unpleasant to listen to as you will have chuffing like crazy.

With proper port configuration you will get 200 times less output per octave below tuning.

If you want the lows you should get a driver that will support them and then design your box accordingly.

My opinion for the people that complain about not having the room to fit the amount of port that the driver(s) need is that there are sacrifices that have to be made in every build, I personally would sacrifice cone area for a proper port and box, instead of shoving 10 pounds of crap in a 5 pound bag.

b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

Posted

Also let's not forget flaring and mainly the area ratio; area ratio gives an indication of how quickly the air has to change velocity as it exits a flared port, and is a more useful measure than flare radius alone.

b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

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