Krakin Posted July 12, 2016 Report Share Posted July 12, 2016 I'm getting close to being able to buy my first piano and wanted to see if there are any pianists here that own a piano or have used any other than Bösendorfer and Steinway's cheap uprights that I could ask their experiences with? Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
Kyblack76 Posted July 12, 2016 Report Share Posted July 12, 2016 I wish i could play...... SMD SUPER SELLER The Burban Build Blazer Build sold Acura trunk build sold Link to comment Share on other sites More sharing options...
bcpballer64 Posted July 12, 2016 Report Share Posted July 12, 2016 Not myself, but I will add that the only thing better than a rose on a piano is tulips on an organ lol. But really though, the only piano I have been around was my high schools grand they got when I was a freshman. And it was fucking nice. "The strongest reason for people to retain the right to keep and bear arms is, as a last resort, to protect themselves against tyranny in government." -- (Thomas Jefferson) Link to comment Share on other sites More sharing options...
Krakin Posted July 12, 2016 Author Report Share Posted July 12, 2016 I've been around and taught on Concert Grands, but they have either been our Bösendorfer 225 from before the turn of two centuries ago and Kawais which I don't have a preference to. I'm currently looking at getting either a really nice digital piano or an equivalent upright, but I still can't get used to the feel of the uprights at our University. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
audiofanaticz Posted July 12, 2016 Report Share Posted July 12, 2016 I use to be able to play, but chapsticks was the only song, and even then I usually used a wrong key or 2 Link to comment Share on other sites More sharing options...
Krakin Posted July 12, 2016 Author Report Share Posted July 12, 2016 I use to be able to play, but chapsticks was the only song, and even then I usually used a wrong key or 2 Then you should specialize in a piece for wrong notes. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
audiofanaticz Posted July 12, 2016 Report Share Posted July 12, 2016 That sounded awful, my chopsticks didnt ever sound that bad and you could at least tell what it was.. I was just always a key over. but I never played i just pushed keys. Link to comment Share on other sites More sharing options...
Krakin Posted July 12, 2016 Author Report Share Posted July 12, 2016 50 seconds in is where the actual none-butchered part comes in. It is probably one of my favorite pieces because of it. It is often played along with this one: and get gud ears. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
audiofanaticz Posted July 12, 2016 Report Share Posted July 12, 2016 after 50seconds it sounded good. I didnt make it no where near that far because it sounded so off. Link to comment Share on other sites More sharing options...
Krakin Posted July 12, 2016 Author Report Share Posted July 12, 2016 That was the whole point of the piece. Its really hard to play due to that and is part of Chopin's second set of studies. Now I just need to be able to play any of it. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
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