Krakin Posted September 26, 2013 Report Share Posted September 26, 2013 It's no where near cheap though, I think the full version is around $800-$1k or something. Just get the trial for a month through email. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
WillPwn4Food Posted September 26, 2013 Author Report Share Posted September 26, 2013 Damn. I don't wanna take weeks to figure out how to add a simple bass tone to music U.U Wall build: http://www.stevemeadedesigns.com/board/topic/174827-walled-taurus-with-lambo-doors/#entry2571893 real men dont use fuses Neither do moronsSays the guy with lambo doors on his Ford Taurus. Link to comment Share on other sites More sharing options...
Neckbeard Posted September 26, 2013 Report Share Posted September 26, 2013 just use audacity for now. Its worked so far for me Damn. I don't wanna take weeks to figure out how to add a simple bass tone to music U.U Build log, Super slow!!: http://www.stevemeadedesigns.com/board/topic/168096-slow-neckbeards-1970-opel-gt/ Link to comment Share on other sites More sharing options...
Krakin Posted September 26, 2013 Report Share Posted September 26, 2013 It shouldn't take too long to figure it out if you look up a quick video. Just drag in your MP3 or whatever and then just go in and find what sound of bass your want and just go from there. Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
Baydestrian Posted September 27, 2013 Report Share Posted September 27, 2013 It sounds like crap IMO, too each their own though 2015 Mazda 6 JVF Customz 4.0 Proto 15>Wolfram W4500 @ .5ohm 2 Sundown Neo 6.5 + 2 CT Meso Tweeters (Front) x Kicker KS6.5 (Rear)>JL Audio VX400/4i NSB-AMG35 (front) / 40ah Lithium Headway (Rear) built by Erni Audio & Electrical Link to comment Share on other sites More sharing options...
Krakin Posted September 27, 2013 Report Share Posted September 27, 2013 It sounds like crap IMO, too each their own though What does? Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
Baydestrian Posted September 27, 2013 Report Share Posted September 27, 2013 LOL I didn't quote, I was talking about Sine waves through Audacity. 2015 Mazda 6 JVF Customz 4.0 Proto 15>Wolfram W4500 @ .5ohm 2 Sundown Neo 6.5 + 2 CT Meso Tweeters (Front) x Kicker KS6.5 (Rear)>JL Audio VX400/4i NSB-AMG35 (front) / 40ah Lithium Headway (Rear) built by Erni Audio & Electrical Link to comment Share on other sites More sharing options...
SnowDrifter Posted September 27, 2013 Report Share Posted September 27, 2013 Baydestrian, PM me. I want to hear your thoughts on that. That's what I do but if there's a better way I'm all ears ~~~~~~~~SAY NO TO PHOTOBUCKET~~~~~~~~ Snow's DD-1 tracks here: https://www.stevemeadedesigns.com/board/topic/167433-snows-dd-1-tracks/ My take on OFC vs CCA: https://www.stevemeadedesigns.com/board/topic/110381-things-that-piss-you-off-in-the-car-audio-world/?do=findComment&comment=2461444 Link to comment Share on other sites More sharing options...
Krakin Posted September 27, 2013 Report Share Posted September 27, 2013 For mastering WaveLab is also very very nice. A pic from our re-mastering computer: Krakin's Home Dipole Project http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370 Krakin, are you some sort of mad scientist? I would have replied earlier, but I was measuring the output of my amp with a yardstick . . . What you hear is not the air pressure variation in itself but what has drawn your attention in the two streams of superimposed air pressure variations at your eardrums An acoustic event has dimensions of Time, Tone, Loudness and Space Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears, thus no formula can achieve a definite effect for every listener. Link to comment Share on other sites More sharing options...
Wood Posted September 27, 2013 Report Share Posted September 27, 2013 To "Create" a bassline you would need production programsn, such as FL Studios, Reasons, Logic, Cubase etc. If your trying to "Boost" or "Cut" aka EQ, audacity is fine.. but If you want to really monitor and reference what your doing, wavelab, sony sound forge, audacity, etc. those are DAWs (Digital Audio Workstations) ... FL Studios is probably the closest to a "One Stop Shop" (plus the ease of use once you learn it) because you can recreate, mix, and monitor all in the same program. BUT these are programs ONLY if your wanting to go deeper into the recreation process because these are professional programs that engineers use to create the music your wanting to remake 2011 Nissan Altima aka Red Ruby HEADUNIT: Pioneer AVH X2700BS ELECTRICAL: -Singer 230a -Northstar gr34 -(2) Northstar SMS220 w/ Custom Terminals from 12V Metalworkz -100% Welding Cable FRONT STAGE:-(2 Sets) Hertz HSK165 -Hertz HSK130 -Ampere Audio 125.4 SUB STAGE: -(3) Sundown Audio SA REV2 12's -Ampere Audio 3800.1 V2 MISC (NON AUDIO RELATED): -Interior & Exterior Lights LED -Gloss Black Roof (PAINTED) -15% Front, 5% Rear Tint -Roof Spoiler -20" TSW Snettertons (20x8.5 front, 20x10 rear) -Custom Projector Retrofit (FX-R 3.0, 6.5k HID, Morimoto Mini H1 (faux projector), Quad Starry Night Halos) ----- COMING SOON!! -Aftermarket Fog Lights -Custom Painted Engine Covers My Build Log: http://www.stevemeadedesigns.com/board/topic/169869-woods-2011-altima-aka-red-ruby-new-video-more-updates/page-109 Retrofit Build Log: http://www.stevemeadedesigns.com/board/topic/185787-hid-projector-retrofitting-diy-by-wood/#entry2765346 Link to comment Share on other sites More sharing options...
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