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HIFONICS BRUTUS X2200.1D


SickWickedClown

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after i bought this amp the first thing i did was call up hifonics and start bitching to them i said to them was wtf 4g p and n terminals how and the hell is it supossed to put out 2200w i run 0g all the way from the battery i use a 300a altinator have a second battery in the rear i told them that i was going to give this thing every bit of power it can take and they assured me nothing was going to melt and i would be getting ever bit of the 2200w rms that it was a super d class and that it was that efficent lol I will have this running by the weekend just waiting on my box to cure for my 18" re audio sub ill let you guys know what the outcome is and see if i cant find somebody to clamp it to see how much its really putting out

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damn that amp is shallow as hell... what was the ticket on that?

But What Do I Know?

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Damn they really fucked up on this new series amp. Looks like its starving for more guts..lol

dude they've BEEN fucking up. where have you been? lol. but this is audiopipe status now

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Damn they really fucked up on this new series amp. Looks like its starving for more guts..lol

dude they've BEEN fucking up. where have you been? lol. but this is audiopipe status now

Haven't really payed much attention to Hifonics in a while. Once I got my AQ 3500 I stopped looking. Lol that's my baby.

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I just don't understand why everyone loves HiFonics so much

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  • 6 months later...

Transistor count?

b_350_20_692108_381007_FFFFFF_000000.png

Krakin's Home Dipole Project

http://www.stevemeadedesigns.com/board/topic/186153-krakins-dipole-project-new-reciever-in-rockford-science/#entry2772370

Krakin, are you some sort of mad scientist?

I would have replied earlier, but I was measuring the output of my amp with a yardstick . . .

What you hear is not the air pressure variation in itself

but what has drawn your attention

in the two streams of superimposed air pressure variations at your eardrums

An acoustic event has dimensions of Time, Tone, Loudness and Space

Everyone learns to render the 3-dimensional localization of sound based on the individual shape of their ears,

thus no formula can achieve a definite effect for every listener.

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